The Palgrave handbook of affect studies and textual criticism
Contents
The turn to affect
emotions without subjects, causality without demonstrable cause
Richard C. Sha
259-278
"That's deep!"
the role of being moved and feelings of profundity in the appreciation of serious narratives
Florian Cova, Julien Deonna, David Sander
347-369
Film and affect, theories entwined
the case of the war genre in Aaving private Ryan (Steven Spielberg, 1998)
Jaimey Fisher
513-541
"The history and science of feeling"
Wordsworth's affective poetics, then and now
Mark J. Bruhn
671-693
Fascism, torture, and affect in postwar Spain
memoria histórica narratives and audience empathy
Isabel Jaén
803-826
Place-in-process in Colm Toíbín's The blackwater lightship
emotion, self-identity, and the environment
Nancy Easterlin
827-854