The underground, dispossession and positionality in Greek experimental music

Danae Stefanou

pp. 259-266

in: Ivana Medi, Marija Dumnić Vilotijević, Ivana Medić (eds), Contemporary popular music studies, Berlin, Springer, 2019

Abstract

Underground, experimental and improvised practices have attracted considerable research attention recently: as examples of "unpopular" popular music; as inbetween genres awaiting to be classified; and as historically overlooked processes that impact on more visible musical histories (e.g. Graham 2012, Beins et al. 2011, Prevost 2011). Such accounts, for all their diversity, are often inevitably centric.