Table of contents

Acknowledgements

The pas de deux

Weaving thought and act

Patricia Trutty-Coohill

3-15

The limits of creation

The architect as the mediator of the beauty and the beast

Gül Kale

19-27

The artistic life, the art alive

Mariola Sułkowska

29-37

The historical logic of non-verbal expression in everyday life and the arts

The perceptual foundation of the precept

Mark Blum

39-69

The relevance of beautiful infrastructure

David Foxe

71-82

John Steinbeck's log from the "Sea of cortez"

One of Husserl's infinite tasks?

Gretchen Gusich

83-96

Reconfiguring Oldenburg and van Bruggen's Free stamp (1982–1991)

Diane Scillia

97-107

Aesthetic and historical contours of Russian manor as a genre

Ljudmila Molodkina

109-118

Between a rock and a soft place

Finding creativity in the face of oppression

Mary J. Larrabee

121-133

Mirror, mirror on the wall

Matti Itkonen

135-156

The pain of the seer in the civilization of the blind

Faulkner and Salinger

Raymond J. Wilson, Jerre Collins

157-169

Opus cordis

Reflections of a contemporary artist embracing the drama of religious imagery

Constance Pierce

171-180

Ecce homo: on the phenomenological problematicity of the religious image

Victor G. Rivas López

181-196

Creation vs. techne

The inner conflict of art

Davor Džalto

199-212

Vincent van Gogh's irises

Venturing upon dizzy heights

Bruce Ross

213-224

On the poetics of cinema in the light of the present culture

Victor G. Rivas López

225-247

Art as informational readymade

Mariola Sułkowska

249-256

Oh, behave! Nothing in excess or everything in good order

The "portraits" of Solon and Khilon on a late archaic attic red-figure cup by Oltos

Jeremy Johnson

257-271

Visualizing Tymieniecka's approach to originality

Patricia Trutty-Coohill

275-294

Artistic and philosophical itineraries

Marcella Tarozzi Goldsmith

295-303

The only star in a nihilist heaven

A reflection on the problematic identity of history, art and cinema

Victor G. Rivas López

305-322

"Bodher pratyushe buddhir pradip"

The lamp of intelligence at the dawn of artistic feeling

Sitansu Ray

323-327

The philosopher's pupil, Iris Murdoch's post-modern allegory of the creative process

Raymond J. Wilson

329-339

Ra’anan Levy's metaphysical space

Bruce Ross

341-347

Art, intention, and communication

Patricia Trutty-Coohill

351-360

Harold Pinter's mindscape

His food–clothing paradoxes

Emil Roy

361-369

Mediated: the image as a performative interface in the photographic relationship

Molly Samsell

371-382

The phenomenology of color [as a working methodology for design practice]

Jada Schumacher

383-391

The metaperformative and gendered space

Jenn Figg

393-403

A revised Taiji diagram to convey the unity of world phenomena

Tsung-I Dow

405-410

Index of names