The still life as a personal object—a note on Heidegger and Van Gogh

Meyer Schapiro

pp. 203-209

in: Marianne L. Simmel (ed), The reach of mind, Berlin, Springer, 1968

Abstrakt

In his essay on The Origin of the Work of Art (3, 4), Martin Heidegger interprets a painting by van Gogh to illustrate the nature of art as a disclosure of truth.¹

Cited authors

Heidegger Martin