
Publication details
Publisher: Springer
Place: Berlin
Year: 1987
Pages: 1-13
Series: Phaenomenologica
ISBN (Hardback): 9789024733958
Full citation:
, "Reality and its shadow", in: Collected philosophical papers, Berlin, Springer, 1987
Abstract
It is generally, dogmatically, admitted that the function of art is expression, and that artistic expression rests on cognition. An artist — even a painter, even a musician — tells. He tells of the ineffable. An artwork prolongs, and goes beyond, common perception. What common perception trivializes and misses, an artwork apprehends in its irreducible essence. It thus coincides with metaphysical intuition. Where common language abdicates, a poem or a painting speaks. Thus an artwork is more real than reality and attests to the dignity of the artistic imagination, which sets itself up as knowledge of the absolute. Though it be disparaged as an aesthetic canon, realism nevertheless retains all its prestige. In fact it is repudiated only in the name of a higher realism. Surrealism is a superlative.
Publication details
Publisher: Springer
Place: Berlin
Year: 1987
Pages: 1-13
Series: Phaenomenologica
ISBN (Hardback): 9789024733958
Full citation:
, "Reality and its shadow", in: Collected philosophical papers, Berlin, Springer, 1987