Introduction

Marija Dumnić Vilotijević, Ivana Medić

9-14

Defining popular music

towards a "historical melodics"

Sergio Mazzanti

17-26

Popular music studies in kassel and the Germanies – looking back, looking ahead

Jan Hemming

27-38

Urban folk music and cultural influences

labels for narodna muzika (folk music) in serbia in the twentieth century

Marija Dumnić Vilotijević

39-50

Popular song and literary scholarship

interactions between criticism and artistic creation

Claudia N. de Matos

51-59

Women who rock

the memoir project

Donna S. Parsons

63-70

Group listening, a typical practice of popular music applied to musician training

Elina Goldsack

71-79

Curricular orientations of secondary school specializing in music in argentina

input for inserting popular music into educational institutions

81-90

Studying listening to recorded popular music

a methodological overview and some suggestions for future research

Marta García Quiñones

91-100

Pathways of pop

arts and education policy, studieförbund and genre hierarchies

Daniel Fredriksson

101-108

Golfos, punkis, alternativos, indignados

subterranean traditions of youth in spain, 1960 ̶ 2015

Paula Guerra, Carles Feixa

111-126

Heart of glass

gender and domination in the early days of punk in portugal

Paula Guerra

127-136

One struggle, one fight, all day, all night

punk cartographies in the subway of são paulo and lisbon

Ana Oliveira, Paula Guerra

137-146

On analyzing edm dj sets

problems and perspectives for a sociology of sound

José Gálvez

149-159

An ethnographic investigation into the culture and people of the UK free party (illegal rave) scene in the twenty first century

Marianne L. Keeler

161-169

Collaboration in semi-professional music groups

Tobias Marx

173-181

Samba batucada

flexibility and integration

Francisco A. Santana Mestrinel

183-192

"Sing to the lord a new song"

the interaction of religion and popular music in the case of posaunenchor in the protestant Church in Germany

Ryoto Akiyama

193-201

Musical formation of popular Singers in Brazil

a case study with Singers who sing in pairs música sertaneja – Brazilian country music

Jaqueline Soares Marques, Jusamara Souza

203-212

Rock music videos in Serbia since the 1990s

the curious case of Jarboli

Ivana Medić

215-224

Queen katy patra represents ancient egypt in pop music

Yvonne Vosmann

225-234

Analysing the voice in popular music with categories of "voice"

Fernand Horner

235-247

Researching popular music through transmedia festivals

Bianca Ludewig

251-257

The underground, dispossession and positionality in Greek experimental music

Danae Stefanou

259-266

Just for the fun of it?

contemporary strategies for making, distributing and gifting music

Chris Anderton

269-277

Towards posthegemonic popular music studies

Artur Szarecki

279-287

"Party music", expression of identities, aesthetics and power in the African diaspora

Frank Marcon

289-298