Introduction

philosophy and literary modernism—an old problem finally made new

Ana Falcato, Antonio Cardiello

1-27

Habit, labour, need and desire

Michael Levenson

31-47

Wittgenstein as unreliable narrator/unreliable author

Rupert Read

49-70

Embodied ghosts

Coetzee's realist modernism

Ana Falcato

71-97

The medium itself

modernism in art and philosophy's linguistic self-analysis

Garry L. Hagberg

101-126

Encountering the alien

Paul Bowles on death and madness at the edge of the world

Tanja Staehler, Alexander Kozin

127-151

"Stories to meditate on"

animals in Gaita's narrative philosophy

Alice Crary

153-164

"Thought in American and for the Americans"

Victoria Ocampo, Sur and European modernism

Laura M. Lojo Rodríguez

167-190

"But she loved her roses (didn't that help the armenians?)"

resisting facts, inventing forms, negotiating history in virginia woolf's to the lighthouse and mrs. dalloway

Katerina Kitsi-Mitakou

191-213

Virginia Woolf and The hours (Stephen Daldry, 2002)

vulnerability, performativity and resistance

Maria J. Gámez Fuentes, Rebeca Maseda García

215-239

Finance capital and the time of the novel or, money without narrative qualities

Mathias Nilges

243-262

Marianne Moore and the logic of "inner sensuousness"

Charles Altieri

263-283

Intimidated thought

the novelistic conditions of modernism

Michael D'Arcy

285-307

A quotation from Seneca is missing

about a so-called poem for children

Jerónimo Pizarro

309-321

The well is not the world

William Golding's sense of reality in darkness visible

Stephen Mulhall

325-354

Pictorial decorum

Jonathan Gilmore

355-384

"Navegar é preciso; viver não é preciso"

the impossible journeys of Kierkegaard and Pessoa

Bartholomew Ryan

385-414