Table of contents

Roman Ingarden's timeless contribution to philosophy

Anna-Teresa Tymieniecka

9-13

Editor's introduction

Hans Rudnick

15-16

Roman Ingarden's philosophical legacy and my departure from it

The creative freedom of the possible worlds

Anna-Teresa Tymieniecka

3-23

A new phenomenology

A.-T. Tymieniecka's departure from Husserl and Ingarden

Jadwiga Smith

25-36

Husserl, Ingarden and Tymieniecka

Kurt Hanneborg

37-47

Réduction phénoménologique et intuition

A propos du rapport Husserl—Ingarden

Jozef Sivák

51-69

The aesthetic theory of Ingarden and its philosophical implications

Nadia Delle Site

71-84

The new criticism and Ingarden's phenomenological theory of literature

85-94

Roman Ingarden's contribution to the reading and analysis of the literary text

Gerald Nyenhuis

95-103

Kritische Bemerkungen zu Ingardens Deutung des Bildes

Walter Biemel

107-122

The debate over stratification within aesthetic objects

Eugene F. Kaelin

123-138

Ingarden's "strata-layers" theory and the structural analysis of the ancient Chinese Kunqu opera

You Zheng Li

139-156

Roman Ingarden's "points of indeterminateness"

A consideration of their practical application to literary criticism

Joseph Strelka

157-169

Roman Ingarden and the Venus of Milo

Hans Rudnick

171-179

The verifiability principle

Variations on Ingarden's criticism

Jan Woleński

183-192

The aesthetic object and the work of art

Reflections on Ingardens theory of aesthetic judgment

Wlodzimierz Galewicz

193-210

Roman Ingarden's idea of relatively isolated systems

Janina Makota

211-222

Roman Ingarden

An international bibliography (1915-1989)

Hans Rudnick, Jolanta Wawrzycka

225-296

Index of names