Publication details
Publisher: Springer
Place: Berlin
Year: 2014
Series: Lecture Notes in Computer Science
ISBN (Hardback): 9783319129754
ISBN (eBook): 9783319129761
Full citation:
Mitsuko Aramaki, Olivier Derrien, Richard Kronland-Martinet, Sølvi Ystad (eds), Sound, music, and motion, Berlin, Springer, 2014
Sound, music, and motion
Contents
Investigation of the harpist/harp interaction
Delphine Chadefaux, Jean-Loïc Le Carrou, Benoît Fabre, Laurent Daudet
3-19
Sonically augmented artifacts
design methodology through participatory workshops
Olivier Houix, Nicolas Misdariis, Patrick Susini, Frédéric Bevilacqua, Florestan Gutierrez
20-40
Vibrotactile feedback for an open air music controller
Håkon Knutzen, Tellef Kvifte, Marcelo M. Wanderley
41-57
Extracting commands from gestures
gesture spotting and recognition for real-time music performance
Jiuqiang Tang, Roger B. Dannenberg
72-85
Making explicit the formalism underlying evaluation in music information retrieval research
a look at the mirex automatic mood classification task
Bob L. Sturm
89-104
On the perception of affect in the singing voice
a study of acoustic cues
Pauline Mouawad, Myriam Desainte-Catherine, Anne Gégout-Petit, Catherine Semal
105-121
Novel methods in facilitating audience and performer interaction using the mood conductor framework
György Fazekas, Mathieu Barthet, Mark Sandler
122-147
Seismic sound lab
sights, sounds and perception of the earth as an acoustic space
Benjamin Holtzman, Jason Candler, Matthew Türk, Daniel Peter
161-174
Music with unconventional computing
a system for physarum polycephalum sound synthesis
Edward Braund, Eduardo Miranda
175-189
Intensity shaping in sustained notes encodes metrical cues for synchronization in ensemble performance
Bogdan Vera, Elaine Chew
193-203
Moving with beats and loops
the structure of auditory events and sensorimotor timing
Cathy M. Craig
204-217
Learning movement kinematics with a targeted sound
Eric O. Boyer, Quentin Pyanet, Sylvain Hanneton, Frédéric Bevilacqua
218-233
Audio-motor synchronization
the effect of mapping between kinematics and acoustic cues on geometric motor features
Étienne Thoret, Mitsuko Aramaki, Sølvi Ystad
234-245
Movement sonification for the diagnosis and the rehabilitation of graphomotor disorders
Jeremy Danna, Vietminh Paz-Villagrán, Annabelle Capel, Céline Pétroz, Charles Gondre, Serge Pinto, Étienne Thoret, Mitsuko Aramaki, Sølvi Ystad
246-255
Midifind
similarity search and popularity mining in large midi databases
Guangyu Xia, Tongbo Huang, Yifei Ma, Roger B. Dannenberg
259-276
Finding repeated patterns in music
state of knowledge, challenges, perspectives
Berit Janssen, W. B. de Haas, Anja Volk, Peter van Kranenburg
277-297
Fragmentations with pitch, rhythm and parallelism constraints for variation matching
Mathieu Giraud, Ken Déguernel, Emilios Cambouropoulos
298-312
Predicting agreement and disagreement in the perception of tempo
Geoffroy Peeters, Ugo Marchand
313-329
A virtual reality platform for musical creation
genesis-rt
James Leonard, Claude Cadoz, Nicolas Castagne, Jean-Loup Florens, Annie Luciani
346-371
Interactive sound texture synthesis through semi-automatic user annotations
Diemo Schwarz, Baptiste Caramiaux
372-392
Intonaspacio
a digital musical instrument for exploring site-specificities in sound
Rodrigues, Marcelo M. Wanderley, Paulo F. Lopes
393-415
The large time-frequency analysis toolbox 2.0
Zdeněk Průša, Peter L. Søndergaard, Nicki Holighaus, Christoph Wiesmeyr, Peter Balázs
419-442
Sparse Gabor multiplier estimation for identification of sound objects in texture sound
Monika Dörfler, Ewa Matusiak
443-462
Waveform-aligned adaptive windows for spectral component tracking and noise rejection
Yang Zhao, David Gerhard
463-480
Changing the interval content of algorithmically generated music changes the emotional interpretation of visual images
Fernando Bravo
494-508