The aesthetic dimension of Wittgenstein's later writings

William Day

3-29

Improvisation and imagination in Wittgenstein's investigations

Beth Savickey

31-60

Wittgenstein, music, and the philosophy of culture

Garry L. Hagberg

61-95

Is a narrative a something or a nothing?

Robert Chodat

99-129

Narrative aspect change and alternating systems of justice

a Wittgensteinian reading of Borges

Shlomy Mualem

131-151

Thinking the poem

Elizabeth Bishop's transcendental "Crusoe in England" (for example)

Walter Jost

153-214

Wittgenstein on musical depth and our knowledge of humankind

Eran Guter

217-247

Wittgenstein and the inner character of musical experience

Gary Kemp

249-280

Wittgenstein's criticism of a "science of aesthetics" and the understanding of music

Alessandra Brusadin

281-301

The philosophy of the face

Bernard Rhie

305-327

Seeing stars

the reception and ontology of movie stars

David Goldblatt

329-354

If an artwork could speak

aesthetic understanding after Wittgenstein

Constantine Sandis

355-382