Computer music modeling and retrieval. genesis of meaning in sound and music
Contents
Timbre perception of sounds from impacted materials
behavioral, electrophysiological and acoustic approaches
Mitsuko Aramaki, Mireille Besson, Sølvi Ystad
1-17
Perception of harmonic and inharmonic sounds
results from ear models
Albrecht Schneider, Klaus Frieler
18-44
Does social interaction activate music listeners?
Leen De Bruyn, Marc Leman, Dirk Moelants, Michiel Demey
93-106
Musically meaningful or just noise? an analysis of on-line artist networks
Kurt Jacobson, Mark Sandler
107-118
The pursuit of happiness in music
retrieving valence with contextual music descriptors
José Fornari, Tuomas Eerola
119-133
Perception of impacted materials
sound retrieval and synthesis control perspectives
Mitsuko Aramaki, Sølvi Ystad
134-146
Labelling the structural parts of a music piece with Markov models
Jouni Paulus, Anssi Klapuri
166-176
Tree representation in combined polyphonic music comparison
David Rizo, Kjell Lemström, José M. Iñesta
177-195
Interval distinction on melody perception for music information retrieval
Cihan Isikhan, Adil Alpkocak, Yetkin Özer
196-206
A learning-based model for musical data representation using histograms
Mehdi Naccache, Amel Borgi, Khaled Ghédira
207-215
Dynamic mapping strategies for expressive synthesis performance and improvisation
Palle Dahlstedt
227-242
Amplified breath – (dis)embodied habitat
exploring sonic interfaces of performance, electronics, space and flautist identity
Jean Penny
243-252
Ksquant - complex score manipulation in pwgl through quantization
Kilian Sprotte, Mikael Laurson, Mika Kuuskankare
253-261
Strategies and methods for creating symbolic electroacoustic scores in enp
Mika Kuuskankare, Mikael Laurson
262-271
An ieee 1599-based interface for score analysis
Adriano Baratè, Luca A. Ludovico, Alberto Pinto
272-282
New music in the atomic age
283-284