Un bel dì vedremo

Carola Barbero

pp. 81-86

in: Nespolo e la filosofia, Rivista di estetica 58, 2015.

Abstract

What makes Nespolo’s Madama Butterfly so distinct? Not the fact that it is its unique exemplar, in fact artworks as grand operas are essentially repeatable. What does that mean? How could we then explain why Nespolo’s stage costumes and scenery perfecty fit? By clarifying the kind of object Madama Butterfly is.

Cited authors

Nespolo Ugo