Proportions in ancient and medieval music

Manuel P. Ferreira

1-25

The sounding algebra

relations between combinatorics and music from Mersenne to Euler

Eberhard Knobloch

27-48

The use of mechanical devices and numerical algorithms in the 18th century for the equal temperament of the musical scale

Benedetto Scimemi

49-63

Lagrange, "working mathematician" on music considered as a source for science

Jean Dhombres

65-78

Musical patterns

Wilfrid Hodges, Robin J. Wilson

79-87

Questions of logic

writing, dialectics and musical strategies

F. Nicolas

89-111

The formalization of logic and the issue of meaning

Marie-José Durand-Richard

113-137

Musical analysis using mathematical proceedings in the XXth century

Laurent Fichet

139-145

Universal prediction applied to stylistic music generation

Shlomo Dubnov, Gérard Assayag

147-159

Ethnomusicology, ethnomathematics

the logic underlying orally transmitted artistic practices

Marc Chemillier

161-183

Expressing coherence of musical perception in formal logic

Marc Leman

185-198

The topos geometry of musical logic

Guerino Mazzola

199-213

Computing musical sound

Jean-Claude Risset

215-231

The mathematics of tuning musical instruments

a simple toolkit for experiments

Erich Neuwirth

233-241

The musical communication chain and its modeling

Xavier Serra

243-255

Computational models for musical sound sources

Giovanni De Poli, Davide Rocchesso

257-288