Introduction

Stuart Grant, Jodie McNeilly-Renaudie, Matthew Wagner

1-16

The essential question

so what's phenomenological about performance phenomenology?

Stuart Grant

19-37

Phenomenological methodology and aesthetic experience

essential clarifications and their implications

Maxine Sheets-Johnstone

39-62

The unnamed origin of the performative in Heidegger's interpretation of aristotelian phronēsis

Stuart Grant

63-83

A phenomenology of being seen

Sondra Fraleigh

87-110

"A unique way of being"

the place of music in Merleau-Ponty's phenomenology of perception

Marc Duby

111-131

Foregrounding the imagination

re-reflecting on dancers' engagement with video self-recordings

Shantel Ehrenberg

133-163

Sensing film performance

Sean Redmond

165-183

Phenomenologically absurd, absurdly phenomenological

Jodie McNeilly-Renaudie, Pierre-Jean Renaudie

185-202

On not being able to dance

the interring

Robert P. Crease

205-215

Performance criticism

live writing as phenomenological poiēsis

Diana Damian Martin

217-236

The erotic reduction

crossed flesh in Lea Anderson's the featherstonehaughs draw on the sketchbooks of egon schiele

Nigel Stewart

237-260

Sound design

a phenomenology

Christopher Wenn

261-285

Acting without "meaning' or "motivation"

a first-person account of acting in the pre-articulate world of immediate lived/living experience

Phillip B. Zarrilli

287-309

Thinking with performance

Ian Maxwell

311-327