Introduction

Marc Leman

1-9

Origin and nature of cognitive and systematic musicology

An introduction

Marc Leman, Albrecht Schneider

11-29

Systematic, cognitive and historical approaches in musicology

Jukka Louhivuori

30-41

Empiricism, Gestalt qualities, and determination of style

some remarks concerning the relationship of guido adler to Richard Wallaschek, Alexius Meinong, Christian Von Ehrenfels, and Robert lach

Michael Weber

42-56

Gestalt concepts and music

limitations and possibilities

Mark Reybrouck

57-69

Logic, Gestalt theory, and neural computation in research on auditory perceptual organization

Randolph Eichert, Lüder Schmidt, UWE Seifert

70-88

Knowledge in music theory by shapes of musical objects and sound-producing actions

Rolf Inge Godøy

89-102

Statistical Gestalts — perceptible features in serial music

Elena Ungeheuer

103-113

"Verschmelzung", tonal fusion, and consonance

Carl Stumpf revisited

Albrecht Schneider

115-143

Schema and Gestalt

testing the hypothesis of psychoneural isomorphism by computer simulation

Marc Leman, Francesco Carreras

144-168

Self-organizing neural nets and the perceptual origin of the circle of fifths

Nicola Cufaro Petron, Matteo Tricarico

169-180

A model of the perceptual root(s) of a chord accounting for voicing and prevailing tonality

Richard Parncutt

181-199

"Good", "rair", and "bad" chord progressions

a regression-analysis of some psychological chord progression data obtained in an experiment by j. bharucha and c. krumhansl

Daniel Werts

200-213

Problems of shape and background in sounds with inharmonic spectra

Jenö Keuler

214-224

A method of analysing harmony, based on interval patterns or "Gestalten"

Roland Eberlein

225-236

Neural network models for the study of post-tonal music

Eric Isaacson

237-250

Tempo relations

is there a psychological basis for proportional tempo theory?

Marek Franěk, Jiří Mates

251-262

A framework for the subsymbolic description of meter

Dirk Moelants

263-276

Musical rhythm

a formal model for determining local boundaries, accents and metre in a melodic surface

Emilios Cambouropoulos

277-293

Effects of perceptual organization and musical form on melodic expectancies

Carol Krumhansl

294-320

Continuations as completions

studying melodic expectation in the creative microdomain seek well

Steve Larson

321-334

Optimizing self-organizing timbre maps

two approaches

Petri Toiviainen

335-350

Towards a more general understanding of the nasality phenomenon

Milan Rusko

351-361

Karl Erich Schumann's principles of timbre as a helpful tool in stream segregation research

Christoph Reuter

362-374

Cross-synthesis using interverted principal harmonic sub-spaces

Thierry Rochebois, Gérard Charbonneau

375-385

Gestalt phenomena in musical texture

Dalia Cohen, Shlomo Dubnov

386-405

Technology of interpretation and expressive pulses

Andranick Tanguiane

407-420

Intonational protention in the performance of melodic octaves on the violin

Janina Fyk

421-430

Sonological analysis of clarinet expressivity

Sergio Canazza, Giovanni De Poli, Stefano Rinaldin, Alvise Vidolin

431-440

Perceptual analysis of the musical expressive intention in a clarinet performance

Sergio Canazza, Giovanni De Poli, Alvise Vidolin

441-450

Singing, mind and brain — unit pulse, rhythm, emotion and expression

Eliezer Rapoport

451-468

Emulating Gestalt mechanisms by combining symbolic and subsymbolic information processing procedures

Udo Mattusch

469-481

Interactive computer music systems and concepts of gestalt

Paul Modler

482-494

Gestalt-based composition and performance in multimodal environments

Antonio Camurri, Marc Leman

495-508

List of sound examples on the CD

509-516