Synchronization and self-organization as basis of musical performance, sound production, and perception

Rolf Bader

3-41

A free energy formulation of music generation and perception

Helmholtz revisited

Karl J. Friston, Dominic A. Friston

43-69

Change and continuity in sound analysis

a review of concepts in regard to musical acoustics, music perception, and transcription

Albrecht Schneider

71-111

Quantal elements in musical experience

Rolf Inge Godøy

113-128

Strong emotions in music

are they an evolutionary adaptation?

Eckart Altenmüller, Reinhard Kopiez, Oliver Grewe

131-156

Music and action

Stefan Koelsch, Clemens Maidhof

157-180

Music for the brain across life

Teppo Särkämö, Mari Tervaniemi, Minna Huotilainen

181-194

The perception of melodies

some thoughts on listening style, relational thinking, and musical structure

Christiane Neuhaus

195-215

Virtual room acoustics

Michael Vorländer, Sönke Pelzer, Frank Wefers

219-242

The wave field synthesis lab at the haw Hamburg

Wolfgang Fohl

243-255

The μ·cosm project

an introspective platform to study intelligent agents in the context of music ensemble improvisation

Jonas Braasch

257-270

Acoustical measurements on experimental violins in the hanneforth collection

Robert Mores

271-297

Fourier-time-transformation (ftt), analysis of sound and auditory perception

Albrecht Schneider, Robert Mores

299-329

Performance controller for physical modelling FPGA sound synthesis of musical instruments

Florian Pfeifle, Rolf Bader

331-350

Multisymplectic pseudo-spectral finite difference methods for physical models of musical instruments

Florian Pfeifle

351-365

Human–computer interaction and music

Isabel Barbancho, Alejandro Rosa-Pujazón, Lorenzo J. Tardón, Ana M. Barbancho

367-389