Regarding the orgiastic as a strategic means to reinvest perceptions of realities
the influence of syncretic thought acting as a motor of evolution in actual dance
pp. 73-77
in: Roy Ascott, Gerald Bast, Wolfgang Fiel, Margarete Jahrmann, Ruth Schnell (eds), New realities, Berlin, Springer, 2009Abstrakt
Why is this question of "interval" so important in our times? How does the idea of "interval" insert and develops itself in post-modern (early 60s to late 70s) and actual/new dance (early 80s to nowadays)1? What different concepts of body, of states of "presence" ensue from it?